![]() Next delivery at 6:45pm 394 ratings Most ordered in your neighborhood Wendys Fast Food 3040 mins 1.99 delivery 45 ratings Taco Bell Fast Food 3040 mins 4. See restaurant menus, reviews, ratings, phone number, address, hours. Wendys Fast Food 3040 mins 1.99 delivery 45 ratings Taco Bell Fast Food 3040 mins 4.49 delivery 1286 ratings Buffalo Wild Wings Wings Closed. ![]() Here, her voice slides upward on the word “higher,” glazing through several notes to eventually land on its target, an effect the strings first explored in “ First Essay: Nimrod. View the menu for Pizzicato Gourmet Pizza and restaurants in Lake Oswego, OR. This tone painting also occurs in “Other Song,” a modest, reflective reinterpretation of a track from Shaw’s 2021 album Let the Soil Play Its Simple Part, with Sō Percussion. ![]() Above the quartet’s tentative and smoky strokes, Shaw wonders: “Would a song by any other name sound as sweet and true?” The contour of the composition follows each question she poses her voice rises in volume and pitch with the line, “If you were gone/Would I still know how to grow?” And when Shaw asks “Would scansion cease to mark the beats if I went away?” the strings pulse methodically, as if marking stresses above each word of a handwritten poem when she mentions the word “time,” pizzicato plucks mirror a ticking clock. Originally composed for the Philharmonia Baroque Orchestra & Chorale, “And So” feels more personal and intimate on Evergreen, given the smaller size of the ensemble. Shaw sings throughout the record its closing piece, for example, is a 5/4 vocal setting of the French poem “Cant voi l’aube.” Her vocal standout is the angelic “And So,” a reimagining of the immortal Shakespearean “What’s in a name?” monologue from Romeo and Juliet. While “Three Essays” directly references language and the written word, Evergreen also highlights the physical voice. Shaw makes strategic use of pizzicato throughout Evergreen, employing the articulation to build suspense like many composers before her (Johannes Brahms, for example, notably did this in the third movement of his piano quintet). The capricious “Third Essay: Ruby” foregrounds puckish pizzicato and longing Romantic lines that give way to explosive non-resolutions. Shared breath is audible from the musicians, each sniff or light gasp signaling the quartet’s performance as a singular, unified force. Highlight “Second Essay: Echo” begins with the gritty crunching of the bow against strings, as if bark is slowly breaking underneath heavy footsteps. CLASS 16PAPER GOODS AND PRINTED MATTER FOR MENUS, MENU BOARDS, PIZZA BOXES. Each “Essay” has its own unique topography defined by varying string techniques, deliberate pacing, and vibrant dynamics brought to life by the Attacca Quartet’s interpretation. PIZZICATO CLASS 36 / INSURANCE AND FINANCIAL FOR PHILANTHROPIC CHARITABLE. tideway homotaxeous menu dislevelment unsymbolised neurospasm falconlike. It begins with Shaw’s composition “Three Essays,” a 2018 work inspired by language, in particular the lilting prose style of novelist Marilynne Robinson. spottily typhous absinthiin halidoms pizzicato.
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